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Robert Charles Benchley (September 15, 1889 – November 21, 1945) was an American humorist best known for his work as a columnist and actor. From his beginnings at the while attending , through his many years writing essays and articles for and , and his acclaimed short films, Benchley's style of humor brought him respect and success during his life, from and his peers at the to contemporaries in the burgeoning film industry.

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My Face Robert Benchley Free Essays - StudyMode

Benchley returned to the cinema in 1937, cast in the revue , and in his largest role to that point, the critically-panned Live, Love and Learn. A short that Benchley completed for MGM, , was Benchley's greatest success since How to Sleep, and won him a contract for more short films that would be produced in New York. These films were produced more quickly than his previous efforts (while How to Sleep needed two days, the later short How to Vote needed less than twelve hours), and took their toll on Benchley. He still completed two shoots in one day (one of which was The Courtship of the Newt), but rested for a while following the 1937 schedule.

Read Robert Benchley Book ⇇ The Best of Robert Benchley

In 1933, Benchley returned to Hollywood, completing the short films Your Technocracy and Mine for , How to Break 90 at Croquet for RKO, and the lavish feature-length production for , starring , , , and ; Benchley's character was slurring drunk throughout the movie. Upon completion, MGM invited Benchley to write and perform in a short production inspired by a study on sleep commissioned by the . The resulting film, , was filmed in two days, and featured Benchley as both the narrator and sleeper, the latter a role Benchley claimed was "not much of a strain, as [he] was in bed most of the time." The film was well-received in , and promotions took over, with a still from the film being used in Simmons advertisements. The only group not pleased was the Mellon Institute, who did not approve of the studio mocking their study.

The deadline to enter the 2013 competition for the Robert Benchley Society Humor Award is August 30, 2013.

Love Conquers All : Robert Benchley - Internet Archive

During the time that Benchley was filming various short films, he also began working at , which had started in February 1925 under the control of Benchley's friend . While Benchley, along with many of his Algonquin acquaintances, was wary of getting involved with another publication for various reasons, he completed some freelance work for The New Yorker over the first few years, and was later invited to be newspaper critic. Benchley initially wrote the column under the pseudonym (the lead conspirator in the English ), and the column was very well received. Benchley tackled issues ranging from careless reporting to European , and the publication flourished. Benchley was invited to be theatre critic for The New Yorker in 1929, leaving Life, and contributions from Woollcott and Parker became regular features in the magazine. The New Yorker published an average of forty-eight Benchley columns per year during the early 1930s.

October 25, 2013, the Robert Benchley Society Announces the Winners in 2013 RBS Humor Writing Competition

Robert benchley new yorker essays | Enactus John …

– pure Benchley." -- Mark Russell February 22, 2015, the Robert Benchley Society Announces the Top-Ten Semifinalists in the 2014 RBS Humor Writing Competition (in alphabetical order)

for  October 9, 2013, the Robert Benchley Society Announces the Top-Ten Semifinalists in 2013 RBS Humor Writing Competition (in alphabetical order)

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Robert grew up and attended school in Worcester and was involved in academic and traveling theatrical productions during high school. Thanks to financial aid from his late brother's fiancee, Lillian Duryea, he could attend in for his final year of high school. Benchley reveled in the atmosphere at the Academy, and he remained active in creative extracurricular activities, thereby damaging his academic credentials toward the end of his term.

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1939 was a bad year for Benchley's career. Besides the cancellation of his radio show, Benchley learned that MGM did not plan to renew his contract, and The New Yorker, frustrated with Benchley's film career taking precedence over his theatre column, hired a new critic. Following his final New Yorker column in 1940, Benchley signed with for another series of one-reel shorts, all filmed at Paramount's Long Island studio in Astoria, New York. Most of them were adapted from his old essays ("Take the Witness!," with Benchley fantasizing about conquering a tough cross-examination, was filmed as The Witness; "The Real Public Enemies," showing the criminal tendencies of sinister household objects, was filmed as Crime Control, etc.). Benchley also received two more feature-length roles: 's , in which Benchley tours the various departments of the Disney studio, and Nice Girl? with , noteworthy for a rare dramatic performance by Benchley.