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The Arab Theatre Festival is an annual event organized in a different Arab country each year by the Arab Theatre Institute. This year’s session chose Morocco as the host nation. The Festival took place in the capital Rabat between January 10 and 16, 2015, and was attended by theatre representatives from around the Arab world. This seventh version of the Festival also corresponded with Morocco celebrating the passage of one hundred years since the establishment of a modern theatre tradition there. This gave the festival a particular focus and marked this year as one of the most notable in the history of the Arab Theatre Institute.

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Ismail Abdellah, the secretary-general of the institute, during a press talk held a day before the opening of the festival, confirmed that all indications promised that the seventh session of the Arab Theatre Festival, the “Moroccanized” version, fully supported by the Moroccan Ministry of Culture, would be a great success as groundwork. He added that the institute had been looking forward to such an event since its launch in 2009, and predicted that the occasion would constitute “a new turn in the history of the Festival.” The Moroccan Minister of Culture, Mohamed Amine Sbihi, announced during the opening ceremony that the seventh celebration, which was being held under the patronage of His Majesty King Mohammed VI, expected the participation of about five hundred Arab attendants belonging to the field of theatre and performance arts, and that a hundred of them would be from Morocco. He added that the event’s effects would not be limited to the area of the capital (Rabat), but extended to reach other cities around the kingdom. All of the cultural centers around Morocco were activated during that period and hosted different cultural activities reflecting the atmosphere of the two ceremonies that were being coordinated: The Arab Theatre Festival and the Centenary of Moroccan Theatre.

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The Seventh Arab Theatre Festival was marked by the organization of cultural activities of various types. One of the most important elements was the presentation of about seventy plays, of which seven dramas competed for the prize of Sheikh Sultan Bin Mohammed Al Qassimi, rewarding the best Arab theatrical show of the year 2014. The tradition of presenting such an award was established as an attempt to keep the Arab theatre active and encourage Arab dramaturgy to carry on updating itself, contemplating, and reflecting upon some of the most prevalent current issues. Moreover, the Festival held the largest scientific conference ever in the domain of theatre and performance studies organized in the Arab world. Six panels of various research topics were enriched by discussions led by some of the most prominent figures in Arab theatre and performance studies. The festival honored twenty-two Arab artists and organized workshops, training for the benefit of theater amateurs, animating workshops dedicated to children, and allotted, next to the Festival’s Book Fair, a large space to signatures (book launches) of new theatrical releases. This last activity, together with press conferences related to competing plays, was organized inside the Mohamed V Theatre.

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Prof. Khalid Amine, through a guiding introduction to the theme of “interweaving” and some of its implied desires and dreams, tried to bridge East and West cultural spaces in the field of performance studies by giving a synoptic idea about what interwoven cultures in a performance arts project could stand for and could mean to the future. He provided his own reading of the hybrid and interwoven reality performance cultures are undergoing in a multicultural world where the history of cultures is fundamentally becoming more and more reflective of this processes. He initiated a heated discussion by making this statement:

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The Arab Theatre Festival (7th Session)