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They kept recommending novels to each other, and to friends and family, for many years, and, in 2007, when the philosopher Alain de Botton, a fellow Cambridge classmate, was thinking about starting the School of Life, they pitched to him the idea of running a bibliotherapy clinic. “As far as we knew, nobody was doing it in that form at the time,” Berthoud said. “Bibliotherapy, if it existed at all, tended to be based within a more medical context, with an emphasis on self-help books. But we were dedicated to fiction as the ultimate cure because it gives readers a transformational experience.”

My Reading Experience Essay Examples | Kibin

This essay is about my strong family heritage of serving in the military and why I joined the Air Force, some of my personal experiences that are memorable since joining, and my current role in supporting the A...

Read between the lines and think about the context in which the material was originally written and what that might mean today.

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I remember one conversation with an acquaintance of mine. This conversation convinced me of the importance of reading, especially for modern youth. As we spoke, he only retold the content of popular TV shows, but he could not keep the conversation on other topics that I tried to start. Suddenly, it turned out he was completely unfamiliar with the works of even the most famous authors in world literature. When I expressed my astonishment about this fact, he answered that he never read books. He said it was a boring and an obsolete occupation. He seemed to be sincerely surprised why someone would want to read a book when there were other ways to receive information such as from the Internet or television.

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My own theory is that most personal essayists, because of a natural ability to extrapolate, do not struggle to find subjects to write about. Writer’s block is not their problem since their minds overflow with remembered experiences and related ideas. While a fiction writer may need to invent from scratch, adding and adding, the essayist usually needs to do the opposite, deleting and deleting. As a result, nonfiction creativity is best demonstrated by what has been left out. The essay is a figure locked in a too-large-lump of personal experience, and the good essayist chisels away all unnecessary material.

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Steps for Writing a Personal Experience Essay

One interesting side note: trauma, which is a common source for personal essays, can easily cause an author to get stuck on the sort of plateau Kittredge described. Jo Ann Beard, while clearly wrestling with the immobilizing impact of her own trauma, found a way to keep the reader moving both forward and upward, until the rising tension reached its inevitable climax: the graduate student firing his gun. I have seen less-experienced writers who, by contrast, seem almost to jog in place emotionally, clutching at a kind of post-traumatic scar tissue.

My Experience With Writing Essay

My First Writing Experience Essay

Narrative is the natural starting place since narrative is a natural structure for telling others about personal events. We instinctively turn to chronology as a way to recreate the past, putting our lives into a neat moment-by-moment order. Beware, though. The march of time can be methodical—first this, then this, then this. If unrelieved, it becomes the ticking clock in the jail or, worse, the flat line of death. Savvy essayists, as a result, twist their chronology, beginning at the end or breaking to a moment in the past, even weaving together several timelines. More crucial, though, is their use of tension, which changes the flat line of chronology into a rising line—a plot. Such tension forces the reader into a climb, muscles contracting. It raises anticipation. Will we reach the top? And what will we see from there?

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Example Essay on Personal Experience

Narrative essays keep us engaged because we want answers to such questions. The tension begs for resolution. We keep on reading unless the writer stops stair-stepping upward toward the critical moment when change becomes necessary. If she flatlines on an emotional plateau, not raising the tension, then we are likely to lose interest and walk away. “Readers do not want to put their foot on the same step twice” is the way veteran essayist Bill Kittredge put it while swapping ideas at a writing conference. He had learned this principle from screenwriters in Hollywood and insisted, “Think what you want, those guys know how plots work.”