BT - Critical Essays on Salman Rushdie

Fantasy is consciously used as a device or a method by many postmodernist novelists. Rushdie has used fantasy ingenuously and admirably in Midnight’s Children. He believed that fantasy could be used as a method for producing intensified images of reality. In the words of Madan M. Sarma:

Rushdie, Salman. Midnight’s Children. London: Picador, 1982. Print.

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N2 - Kuchta, Todd. "Allegorizing the Emergency: Rushdie's Midnight's Children and Benjamin's Theory of Allegory." Critical Essays on Salman Rushdie. Ed. M. Keith Booker. New York: G. K. Hall, 1999. 205-24.

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AB - Kuchta, Todd. "Allegorizing the Emergency: Rushdie's Midnight's Children and Benjamin's Theory of Allegory." Critical Essays on Salman Rushdie. Ed. M. Keith Booker. New York: G. K. Hall, 1999. 205-24.

Stewart, Nicholas. “Magic realism as Post-colonialist Device in Midnight’s Children.” Web. 15 October 2009. ..

Midnights Children Essay - Anti Essays

In Midnight’s Children Rushdie, in fact, presents intensified images of reality as he sees it in the Indian sub-continent in the decades preceding and following India’s independence. The disparate materials pertaining to those times of political upheaval, popular upsurge, growing optimism, and chaotic developments that often bordered on the fantastic could not have been woven together by any other method but that of fantasy. (54)

Midnight's Children Critical Evaluation - Essay - …

Samanta, Soumyajit. “Redefining History: Rushdie’s Novels as Literature of Subversion.” Salman Rushdie’s Midnight Children. Ed. Reena Mitra. New Delhi: Atlantic Publishers and Distributors (P) Ltd., 2006. 1-36. Print.

Midnight's Children Salman Rushdie Essays - 1868 …

Midnight's Children - Wikipedia

Saleem has to contend with his personal trajectory. His family is active in this, as they begin a number of migrations and endure the numerous wars which plague the subcontinent. During this period he also suffers amnesia until he enters a quasi-mythological exile in the jungle of Sundarban, where he is re-endowed with his memory. In doing so, he reconnects with his childhood friends. Saleem later becomes involved with the declared by Indira Gandhi and her son Sanjay’s “cleansing” of the Jama Masjid slum. For a time Saleem is held as a political prisoner; these passages contain scathing criticisms of Indira Gandhi’s overreach during the Emergency as well as what Rushdie seems to see as a personal lust for power bordering on godhood. The Emergency signals the end of the potency of the Midnight Children, and there is little left for Saleem to do but pick up the few pieces of his life he may still find and write the chronicle that encompasses both his personal history and that of his still-young nation; a chronicle written for his son, who, like his father, is both chained and supernaturally endowed by history.

Salman Rushdie-Midnights Children

MIDNIGHT'S CHILDREN Salmon Rusdie is the author of seven novels: ..

Midnight’s Children is a loose for events in India both before and, primarily, after the independence and , which took place at midnight on 15 August 1947. In the temporal sense, Midnight’s Children is post-colonial as the main body of the narrative occurs after India becomes independent. The narrative framework of Midnight’s Children consists of tale which Saleem Sinai recounts orally to his wife-to-be Padma. This self-referential narrative recalls indigenous Indian culture, particularly the similarly orally recounted Arabian Nights. The events in Rushdie’s text also parallel the magical nature of the narratives recounted in the Arabian Nights (Stewart).

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Midnight s Children An Overview Essay - 1719 Words

Saleem Sinai, the narrator of Midnight’s Children, opens the novel by explaining that he was born at midnight on 15th August, 1947, at the exact moment India gained its independence from British rule. He imagines that his miraculously timed birth ties him to the fate of the country. He later discovers that all children born in between 12 AM and 1 AM on 15th August 1947, are gifted with special powers. Saleem thus attempts to use these powers to convene the eponymous children. He acts as a telepathic conduit, bringing hundreds of geographically disparate children into contact while also attempting to discover the meaning of their gifts. In particular, those children who are born closest to the stroke of midnight possess more powerful gifts than the others. Shiva of the Knees, Saleem’s evil nemesis, and Parvati, called “Parvati-the-witch,” are two of these children with notable gifts and roles in Saleem’s story.