Michelangelo, David, 1501-1504, marble

But Julius also came to hear of Michelangelo's reputation as a painter after his cartoon of the , and when the artist rejoined him in Rome, the Pope set him to another herculean labour, the decoration of the ceiling of the Sistine Chapel, and the artist was obliged to accept.

Detail of the face of Michelangelo’s David.

Michelangelo's first love was sculpture.

Michelangelo's mother died when he was six years old - 1481.

The Buonarroti Simoni were an old and pure Florentine stock of the Guelf faction: in the days of Michelangelo's fame a connection of the family with the counts of Canossa was imagined and admitted on both sides, but has no foundation in fact.

He describes Michelangelo's experience during the four-year ordeal:

And, being one who was by nature impetuous and impatient of waiting, as soon as the work was half done, that is from the door to midway on the vault, he wanted Michelangelo to uncover it while it was still incomplete and had not received the last touches.

Michelangelo at first refused, protesting that he was a sculptor, not a painter.

The work represents all the powers of Michelangelo at their best.

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Michelangelo complied with none of these requests.

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In contrast, Michelangelo deliberately depicts him before the fight with Goliath.

This was the only work of Michelangelo to which he signed his name.

In their ruined state they bear evidence of the same tendencies that made the art of Michelangelo in its latest phase so dangerous an example to weaker men -- the tendency, that is, to seek for unqualified energy and violence of action, both in place and out, for "terribleness" , and to design actions not by help of direct study from nature, but by scientific deduction from the abstract laws of structure and movement.

At Caprese, on the 6th of March 1475, his second son Michelagniolo or Michelangelo was born.

Michelangelo had here a difficult problem before him.

The fig-leaf campaign occurred during the Counter-Reformation, and aimed to cover all private areas in Renaissance artists, starting with Michelangelo's works.

Michelangelo is trying to show that David's character is the critical factor in his victory.

He entrusted this congenial task to Michelangelo.

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