Jazz Concert Report JBConcert Report

Lombardini's concept here is to connect ancient music to folk music from distant countries and jazz, stylistically distinguished by its satisfyingly full sound, soft and containing all the vitality of a conflict between the ostinatos and improvisational freedom, the relentless groove on drums (Emanuele Maniscalco) and long notes on tuba, the enchanting solos on Longhorn electric bass and those on piano (played too by Maniscalco), the ancestral sound of the serpent ( played by the French reference on it, musician Michel Godard) and the ancient sound of the colascione lute.

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The Crying Light production at the Manchester Opera House was an incredible experience; the BBC rated it 11 our of 10 stars on their website! Listen to the review . Antony wore the "tiger" Givenchy haute couture ballgown on stage in Paris. While in Montreux, Antony was spotted sprawled out in a rented paddling boat in the middle of Lake Geneva at noon. The Montreux Jazz festival orchestra were a lot of fun to be with for the two concerts in Switzerland. The band will perform at the Grand Theatre Romain in Lyon tomorrow night. It's an ancient Roman amphitheater, full of wild spirits. Then the group is off to Rome where they will perform at the Parco della Musica with the Roma Sinfonietta. Meanwhile an exhibition of Antony's prints has opened in Turin.

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Saxophonist, composer, arranger and multi-instrumentalist Alfonso Deidda releases here his debut album; spontaneous and unpredictable, yet focused and highly melodic, the repertoire is composed of well-conceived, original jazz songs with underlying contemporary grooves - ranging from Latin, European jazz, to free, and funk - where the interplay between musicians is intimate and technically brilliant, resulting in engaging sound textures that are creatively out of the ordinary; vibrant with emotional tension.

The concept of the club is to offer food and beverages accompanied by blues and jazz music, which is played by artists from all over the US.

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Never one to stand still, these concerts find Miles fully entrenched in a new musical direction that would blur the lines between rock and jazz forever.

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A showcase of astounding, brilliant music is performed by a host of great musicians - including drummer Peter Erskine (Weather Report, Steps Ahead) and multi-instrumentalist Howard Levy (Bela Fleck & The Flectones), the renowned Indonesian jazz keyboardist and producer Indra Lesmana, celebrated pianist Ade Irawan, one of the most talented Indonesian jazz drummers Sandy Winarta, and the late legendary jazz bassist, Dave Carpenter - with proceedings decorated beautifully by the Bali native's masterful strokes and deft touch.

The music on these sides is the product of different sessions that represent, between them, a veritable Blue Book of West Coast jazz.

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All the tracks here included were recorded between 1946 and 1953 with some live tunes from the Rockland Palace Concert and prove once again the genius of this great musician and his ability to work with every giant of jazz.

Workpoints consists of two previously unreleased concerts from

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Through a creative and anarchic exploitation of their musical vocabulary, the musicians almost elude the impression to move into a non-idiomatic realm: scenes may be reminiscent of rock, jazz or electronic styles, but are nonetheless floating in a non-repetitive rubatoish condition, melodic lines by the saxophone are being endangered by noise-guitars just to melt into innovative sound collages.

The music presented has definitely one foot in the nu-jazz Norwegian scene represented by groups like Supersilent.

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Jasper van't Hof brings all of the experience he has gained during the course of his musical career to his arrangements, combining the jazz idiom with minimalist repetition and harmonious recurring melodies reminiscent of Erik Satie; indeed, some of the phrases he has composed for the winds sound almost baroque.