Painting Description Essay Example - iWriteEssays
The Painting Essay -- Observation Essay
How did Kandinsky and Nina meet? If we follow Nina's legend, then first by phone; she called him on behalf of a friend to deliver a message and her "voice made a deep impression on" him. He even executed a watercolor "To the Unknown Voice", which, according to Nina, was devoted to her voice.
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The facial expressions in her self-portraits are, for the most part, without emotion and don't reveal her true mood it's everything else in the painting that are the clues; the backgrounds, the colors, the theme, and the style.
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The paintings of this period are composed of large and very expressive colored masses evaluated independently from forms and lines which serve no longer to delimit them but are superimposed and overlap in a very free way to form paintings of an extraordinary force.
Impressionist Art And The Impressionism
Art school, typically considered difficult to get through, was easier for Kandinsky because he was older and more settled than the other students. It was during this time that he began to emerge as a true art theorist in addition to being a painter. The number of existing paintings increased at the beginning of the 20th century and much remains of the many landscapes and towns that he painted, using broad swathes of color but recognizable forms. For the most part, however, Kandinsky's paintings did not emphasize any human figures. An exception is (1904) where Kandinsky recreates a highly colorful (and fanciful) view of peasants and nobles before the walls of a town. (1907) depicts a man on horseback, holding a woman with tenderness and care as they ride past a Russian town with luminous walls across a river. Yet the horse is muted, while the leaves in the trees, the town, and the reflections in the river glisten with spots of color and brightness. The work shows the influence of pointillism in the way the depth of field is collapsed into a flat luminescent surface. Fauvism is also apparent in these early works. Colors are used to express the artist's experience of subject matter, not to describe objective nature. Perhaps the most important of Kandinsky's paintings from the first decade of the 1900's was (1903), which shows a small cloaked figure on a speeding horse rushing through a rocky meadow. The rider's cloak is a medium blue, and the shadow cast is a darker blue. In the foreground are more amorphous blue shadows, presumably the counterparts of the fall trees in the background. in the painting is prominent, but not clearly defined, and the horse has an unnatural gait (which Kandinsky must have known). Indeed, some believe that a second figure, a child perhaps, is being held by the rider, though this could just as easily be another shadow from a solitary rider. This type of intentional disjunction, allowing viewers to participate in the creation of the artwork, would become an increasingly conscious technique used by Kandinsky in subsequent years, culminating in the (often nominally) abstract works of the 1911-1914 period. In Kandinsky shows the rider more as a series of colors than of specific details. In and of itself, is not exceptional in that regard when compared to contemporary painters, but it does show the direction that Kandinsky would take only a few years later.