beauty is more than skin deep, true beauty shines from within
Is True Beauty Inside or Out Essay Examples
Indeed, films of Bernstein conducting at the time show him to have been mostly wild anduninhibited on the podium. Interestingly, for Mozart and Beethoven he lapsed into achaste, traditional function of time-beating with expressive accents, much as otherconductors did for all music. For overtly emotional music, though, Bernstein flung himselfat the orchestra, making desperate, clutching gestures with his bare hands (à la JoeCocker), as if trying to wrest music out of the very air before him. Only after 1957, inorder to compensate for back problems, did Bernstein resort to using a baton. Even then,his face continued to reflect a full gamut of extreme emotion, from excruciating pain tooverwhelming bliss. No musician could possibly play routinely when the leader was soovertly involved and enthused.
Page 2 Is True Beauty Inside or Out Essay
Having associated with contemporary composers and having written much modern musichimself, Bernstein was well aware that the pivotal significance of transcended mere popularity. Indeed, so much of what we now accept as "modernmusic" derives from . Carl Van Vechten (who got beat up in the openingnight melee) recalled that the audience had reacted so violently because they found thewhole thing "a blasphemous attempt to destroy music as an art." With the benefitof perspective, Edwin Evans more aptly described the score as "a conflict which isforever rending and tearing, not in order to destroy, but in order to emerge."Stravinsky recognized that traditional classical music had become stagnant and had toevolve quickly. He did not set out to destroy the old music, but his jagged rhythms, wildharmonies and violent dynamics gave birth to so much of the music of our time. Thus theproblem Bernstein faced was to present the score with startling freshness to an audiencethat was apt to take its innovations for granted. After all, in the 45 years since thepremiere of modern notions of rhythm had grown sophisticated through jazz,traditional musical form had become superseded by chance music, the outer bounds oftonality and dissonance had been supplanted by serial music, and crashing chords seemeddownright placid compared to high-decibel rockers and computer-generated .