Essays on What Will i Do To Make My Country Proud - Essay …
SHOULD I BE PROUD OF MY COUNTRY
with a threatning Eye
Like some fierce Tyrant in Old Tapestry!
Fear most to tax an Honourable Fool,
Whose Right it is, uncensur'd to be dull;
Such without Wit are Poets when they please.
As without Learning they can take Degrees.
Leave dang'rous Truths to unsuccessful Satyrs,
And Flattery to fulsome Dedicators,
Whom, when they Praise, the World believes no more,
Than when they promise to give Scribling o'er.
'Tis best sometimes your Censure to restrain,
And charitably let the Dull be vain:
Your Silence there is better than your Spite,
For who can rail so long as they can write?
Still humming on, their drowzy Course they keep,
And lash'd so long, like Tops, are lash'd asleep.
False Steps but help them to renew the Race,
As after Stumbling, Jades will mend their Pace.
What Crouds of these, impenitently bold,
In Sounds and jingling Syllables grown old,
Still run on Poets in a raging Vein,
Ev'n to the Dregs and Squeezings of the Brain;
Strain out the last, dull droppings of their Sense,
And Rhyme with all the Rage of Impotence!Such shameless Bards we have; and yet 'tis true,
There are as mad, abandon'd Criticks too.
The Bookful Blockhead, ignorantly read,
With Loads of Learned Lumber in his Head,
With his own Tongue still edifies his Ears,
And always List'ning to Himself appears.
All Books he reads, and all he reads assails,
From Dryden's Fables down to Durfey's Tales.
With him, most Authors steal their Works, or buy;
Garth did not write his own Dispensary.
Name a new Play, and he's the Poet's Friend,
Nay show'd his Faults--but when wou'd Poets mend?
No Place so Sacred from such Fops is barr'd,
Nor is Paul's Church more safe than Paul's Church-yard:
Nay, fly to Altars; there they'll talk you dead;
For Fools rush in where Angels fear to tread.
Distrustful Sense with modest Caution speaks;
It still looks home, and short Excursions makes;
But ratling Nonsense in full Vollies breaks;
And never shock'd, and never turn'd aside,
Bursts out, resistless, with a thundering Tyde!But where's the Man, who Counsel can bestow,
Still pleas'd to teach, and not proud to know?
Unbiass'd, or by Favour or by Spite;
Not dully prepossest, nor blindly right;
Tho' Learn'd well-bred; and tho' well-bred, sincere;
Modestly bold, and Humanly severe?
Who to a Friend his Faults can freely show,
And gladly praise the Merit of a Foe?
Blest with a Taste exact, yet unconfin'd;
A Knowledge both of Books and Humankind;
Gen'rous Converse; a Sound exempt from Pride;
And Love to Praise, with Reason on his Side?Such once were Criticks, such the Happy Few,
Athens and Rome in better Ages knew.
The mighty Stagyrite first left the Shore,
Spread all his Sails, and durst the Deeps explore;
He steer'd securely, and discover'd far,
Led by the Light of the Maeonian Star.
Poets, a Race long unconfin'd and free,
Still fond and proud of Savage Liberty,
Receiv'd his Laws, and stood convinc'd 'twas fit
Who conquer'd Nature, shou'd preside o'er Wit.Horace still charms with graceful Negligence,
And without Method talks us into Sense,
Will like a Friend familarly convey
The truest Notions in the easiest way.
He, who Supream in Judgment, as in Wit,
Might boldly censure, as he boldly writ,
Yet judg'd with Coolness tho' he sung with Fire;
His Precepts teach but what his Works inspire.
Our Criticks take a contrary Extream,
They judge with Fury, but they write with Fle'me:
Nor suffers Horace more in wrong Translations
By Wits, than Criticks in as wrong Quotations.See Dionysius Homer's Thoughts refine,
And call new Beauties forth from ev'ry Line!Fancy and Art in gay Petronius please,
The Scholar's Learning, with the Courtier's Ease.In grave Quintilian's copious Work we find
The justest Rules, and clearest Method join'd;
Thus useful Arms in Magazines we place,
All rang'd in Order, and dispos'd with Grace,
But less to please the Eye, than arm the Hand,
Still fit for Use, and ready at Command.Thee, bold Longinus!
11 Reasons Why I Am Proud Of My Country - Storypick
Exclaims the Knight;
Yes, or we must renounce the Stagyrite.
Not so by Heav'n (he answers in a Rage)
Knights, Squires, and Steeds, must enter on the Stage.
So vast a Throng the Stage can ne'er contain.
Then build a New, or act it in a Plain.Thus Criticks, of less Judgment than Caprice,
Curious, not Knowing, not exact, but nice,
Form short Ideas; and offend in Arts
(As most in Manners) by a Love to Parts.Some to Conceit alone their Taste confine,
And glitt'ring Thoughts struck out at ev'ry Line;
Pleas'd with a Work where nothing's just or fit;
One glaring Chaos and wild Heap of Wit;
Poets like Painters, thus, unskill'd to trace
The naked Nature and the living Grace,
With Gold and Jewels cover ev'ry Part,
And hide with Ornaments their Want of Art.
True Wit is Nature to Advantage drest,
What oft was Thought, but ne'er so well Exprest,
Something, whose Truth convinc'd at Sight we find,
That gives us back the Image of our Mind:
As Shades more sweetly recommend the Light,
So modest Plainness sets off sprightly Wit:
For Works may have more Wit than does 'em good,
As Bodies perish through Excess of Blood.Others for Language all their Care express,
And value Books, as Women Men, for Dress:
Their Praise is still--The Stile is excellent:
The Sense, they humbly take upon Content.
Words are like Leaves; and where they most abound,
Much Fruit of Sense beneath is rarely found.
False Eloquence, like the Prismatic Glass,
Its gawdy Colours spreads on ev'ry place;
The Face of Nature was no more Survey,
All glares alike, without Distinction gay:
But true Expression, like th' unchanging Sun,
Clears, and improves whate'er it shines upon,
It gilds all Objects, but it alters none.
Expression is the Dress of Thought, and still
Appears more decent as more suitable;
A vile Conceit in pompous Words exprest,
Is like a Clown in regal Purple drest;
For diff'rent Styles with diff'rent Subjects sort,
As several Garbs with Country, Town, and Court.
Some by Old Words to Fame have made Pretence;
Ancients in Phrase, meer Moderns in their Sense!
Such labour'd Nothings, in so strange a Style,
Amaze th'unlearn'd, and make the Learned Smile.
Unlucky, as Fungoso in the Play,
These Sparks with aukward Vanity display
What the Fine Gentleman wore Yesterday!
And but so mimick ancient Wits at best,
As Apes our Grandsires in their Doublets treat.
In Words, as Fashions, the same Rule will hold;
Alike Fantastick, if too New, or Old;
Be not the first by whom the New are try'd,
Nor yet the last to lay the Old aside.But most by Numbers judge a Poet's Song,
And smooth or rough, with them, is right or wrong;
In the bright Muse tho' thousand Charms conspire,
Her Voice is all these tuneful Fools admire,
Who haunt Parnassus but to please their Ear,
Not mend their Minds; as some to Church repair,
Not for the Doctrine, but the Musick there.
These Equal Syllables alone require,
Tho' oft the Ear the open Vowels tire,
While Expletives their feeble Aid do join,
And ten low Words oft creep in one dull Line,
While they ring round the same unvary'd Chimes,
With sure Returns of still expected Rhymes.
Where-e'er you find the cooling Western Breeze,
In the next Line, it whispers thro' the Trees;
If Chrystal Streams with pleasing Murmurs creep,
The Reader's threaten'd (not in vain) with Sleep.
Then, at the last, and only Couplet fraught
With some unmeaning Thing they call a Thought,
A needless Alexandrine ends the Song,
That like a wounded Snake, drags its slow length along.
Leave such to tune their own dull Rhimes, and know
What's roundly smooth, or languishingly slow;
And praise the Easie Vigor of a Line,
Where Denham's Strength, and Waller's Sweetness join.
True Ease in Writing comes from Art, not Chance,
As those move easiest who have learn'd to dance,
'Tis not enough no Harshness gives Offence,
The Sound must seem an Eccho to the Sense.
Soft is the Strain when Zephyr gently blows,
And the smooth Stream in smoother Numbers flows;
But when loud Surges lash the sounding Shore,
The hoarse, rough Verse shou'd like the Torrent roar.
When Ajax strives, some Rocks' vast Weight to throw,
The Line too labours, and the Words move slow;
Not so, when swift Camilla scours the Plain,
Flies o'er th'unbending Corn, and skims along the Main.
Hear how Timotheus' vary'd Lays surprize,
And bid Alternate Passions fall and rise!
While, at each Change, the Son of Lybian Jove
Now burns with Glory, and then melts with Love;
Now his fierce Eyes with sparkling Fury glow;
Now Sighs steal out, and Tears begin to flow:
Persians and Greeks like Turns of Nature found,
And the World's Victor stood subdu'd by Sound!
The Pow'rs of Musick all our Hearts allow;
And what Timotheus was, is Dryden now.Avoid Extreams; and shun the Fault of such,
Who still are pleas'd too little, or too much.
At ev'ry Trifle scorn to take Offence,
That always shows Great Pride, or Little Sense;
Those Heads as Stomachs are not sure the best
Which nauseate all, and nothing can digest.
Yet let not each gay Turn thy Rapture move,
For Fools Admire, but Men of Sense Approve;
As things seem large which we thro' Mists descry,
Dulness is ever apt to Magnify.Some foreign Writers, some our own despise;
The Ancients only, or the Moderns prize:
(Thus Wit, like Faith by each Man is apply'd
To one small Sect, and All are damn'd beside.)
Meanly they seek the Blessing to confine,
And force that Sun but on a Part to Shine;
Which not alone the Southern Wit sublimes,
But ripens Spirits in cold Northern Climes;
Which from the first has shone on Ages past,
Enlights the present, and shall warm the last:
(Tho' each may feel Increases and Decays,
And see now clearer and now darker Days)
Regard not then if Wit be Old or New,
But blame the False, and value still the True.Some ne'er advance a Judgment of their own,
But catch the spreading Notion of the Town;
They reason and conclude by Precedent,
And own stale Nonsense which they ne'er invent.
Some judge of Authors' Names, not Works, and then
Nor praise nor blame the Writings, but the Men.
Of all this Servile Herd the worst is He
That in proud Dulness joins with Quality,
A constant Critick at the Great-man's Board,
To fetch and carry Nonsense for my Lord.
What woful stuff this Madrigal wou'd be,
To some starv'd Hackny Sonneteer, or me?
But let a Lord once own the happy Lines,
How the Wit brightens!