Literary Theme Essays: Examples, Topics, Titles, & Outlines
Historiographic Metafiction Essay Examples - New York essay
Although abhorrent to many, even to some of its silent, acquiescent partners, lynchingwas not an aberration in American race relations. Rather, it served as an extreme reminderof the unreasoning power the basest passions, fears, and hatreds of white Americans couldexercise over the lives and humanity of black Americans. For "the ultimate goal oflynchers," as Ralph Ellison reflected in (1986),"is that of achieving ritual purification through destroying the lynchers'identification with the basic humanity of their victims. Hence their deafness to cries ofpain, their stoniness before the sight and stench of burning flesh. . . ." At issue,then, in historical terms and the imaginative terms of African American literature, islynching's ritual capacity to define and annihilate the humanity of the black victim andthat of every last member of his or her race, symbolically or, if necessary, literally.
The historia is one of the first examples of an emergent literary ..
Reader-response theory is a general term for a range of theories of literature which focus on the process of reading and interpretation. Such theories draw on two principal philosophical traditions. The first is that of hermeneutics (the philosophy of interpretation), from the romantic hermeneutics of Friedrich Schleiermacher, who developed the concept of the ‘hermeneutical circle’, to the influential 20th-century thought of Hans-Georg Gadamer, who emphasized the historical and inter-subjective aspects of the interpretative act. The second is phenomenology, derived from Edmund Husserl’s project of founding philosophy on an enquiry into the nature of consciousness. Reader-response theory raises general questions such as the nature of meaning and the role of the reading subject, as well as focusing in detail on the processes of interaction between text and reader, on how interpretation takes place and how meanings are elicited or constructed.
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For Hans-Robert Jauss, however (Toward an Aesthetic of Reception, and Aesthetic Experience and Literary Hermeneutics), a reader's aesthetic experience is always bound by time and historical determinants.